{"id":611,"date":"2012-05-01T20:53:13","date_gmt":"2012-05-01T18:53:13","guid":{"rendered":"http:\/\/www.wallaudio.de\/?p=611"},"modified":"2015-06-06T11:35:53","modified_gmt":"2015-06-06T09:35:53","slug":"hans-ulrich-rahe-about-the-opus-88","status":"publish","type":"post","link":"https:\/\/www.wallaudio.de\/en\/hans-ulrich-rahe-about-the-opus-88\/","title":{"rendered":"Hans-Ulrich Rahe about the OPUS 88"},"content":{"rendered":"<p><strong>We are sorry, this content is only availible in german language!<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-249 alignleft\" src=\"http:\/\/www.wallaudio.de\/wp-content\/uploads\/2013\/05\/rahe-300x200.jpg\" alt=\"Wall Audio OPUS 88\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.wallaudio.de\/wp-content\/uploads\/2013\/05\/rahe-300x200.jpg 300w, https:\/\/www.wallaudio.de\/wp-content\/uploads\/2013\/05\/rahe-600x400.jpg 600w, https:\/\/www.wallaudio.de\/wp-content\/uploads\/2013\/05\/rahe-768x512.jpg 768w, https:\/\/www.wallaudio.de\/wp-content\/uploads\/2013\/05\/rahe-960x639.jpg 960w, https:\/\/www.wallaudio.de\/wp-content\/uploads\/2013\/05\/rahe-700x466.jpg 700w, https:\/\/www.wallaudio.de\/wp-content\/uploads\/2013\/05\/rahe.jpg 1273w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Lieber Andreas, mit dem <a href=\"https:\/\/www.wallaudio.de\/en\/opus-88\/\">OPUS 88<\/a> hast Du Dein Meisterwerk vollbracht!<\/p>\n<p>Ich habe noch nie zuvor in meinem Leben eine Musik\u00fcbertragungsanlage geh\u00f6rt, die von einer so hohen akustischen und musikalischen Qualit\u00e4t ist, wie derzeit meine &#8211; und ich habe in meinem Leben schier unz\u00e4hlige Anlagen geh\u00f6rt. Dein Vorverst\u00e4rker harmoniert optimal mit Deinen Mono &#8211; Endstufen wie auch zusammen mit den anderen Komponenten meiner Anlage, also auch mit meinen eigenen Vollbereichs &#8211; Schallwandlern. Das, was durch den\u00a0<a href=\"https:\/\/www.wallaudio.de\/en\/opus-88\/\">OPUS 88<\/a> &#8211; in Verbindung mit meiner Entdeckung: &#8221; Verfahren zur Erh\u00f6hung des Ordnungsgrades elektrischer Str\u00f6me&#8221; &#8211; eingetreten ist, ist schier unglaublich!<\/p>\n<p>Die musikalischen und sprachlichen Darbietungen kommen \u00fcber meine Vollbereichs &#8211; Schallwandler mit einer Selbstverst\u00e4ndlichkeit und Echtheit, \u00fcber die ich geradezu erschreckt bin. Ich f\u00fchre diese au\u00dfergew\u00f6hnlich hohe akustische Qualit\u00e4t auch darauf zur\u00fcck, da\u00df alle Ger\u00e4te und Kabelverbindungen das gleich hohe Niveau aufweisen.<\/p>\n<p>Das zu erreichen, darauf habe ich stets vorrangig geachtet. Technisch hei\u00dft das, eine kurze Anstiegszeit, bzw. einen kurzen, aber phasenkorrekten Einschwingvorgang (Transienten) realisiert zu haben. Das Unbewu\u00dfte interessiert sich nur f\u00fcr dieses subtile Merkmal eines Schallereignisses, um dadurch fast augenblicklich (innerhalb von 40 Millisekunden!) festzustellen, ob der jeweiligen akustischen Herausforderung eine Gefahr implizit ist oder nicht. Ist das akustische Ereignis von ihm eindeutig identifiziert worden, eben auch, weil es die essenziellen Merkmale einer nat\u00fcrlichen Herausforderung aufweist, dann gibt es im Gehirn keinen Konflikt zwischen dem Unbewu\u00dften und Bewu\u00dften und daher auch keine Energievergeudung, keinen Stre\u00df. Wie ich schon in meinem Aufsatz &#8220;Das unbewu\u00dfte H\u00f6ren als das Unbewu\u00dfte h\u00f6ren&#8221;, der online von image hifi unter &#8220;Gastbeitr\u00e4ge&#8221; im Jahre 2010 ver\u00f6ffentlicht worden ist, schreibe, ist diese Tatsache f\u00fcr die Entwickler, die nur ihr Bewu\u00dftes kultiviert haben, \u00fcberhaupt nicht ber\u00fccksichtigt worden. Sowohl Deine Verst\u00e4rker, als auch die anderen Komponenten meiner Anlage, wie auch meine Schallwandler haben allerdings diese eindeutige Kapazit\u00e4t, das Unbewu\u00dfte zu ber\u00fchren. Ger\u00e4te, die nur technisch perfekt sind, aber an der Oberfl\u00e4che bleiben, interessieren mich nicht.<\/p>\n<p>Hans-Ulrich Rahe, ehem. Entwickler der rabox und Mitgr\u00fcnder der HIGH END<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We are sorry, this content is only availible in german language! Lieber Andreas, mit dem OPUS 88 hast Du Dein Meisterwerk vollbracht! Ich habe noch nie zuvor in meinem Leben&#8230;<\/p>\n","protected":false},"author":1,"featured_media":2000,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-611","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hans-Ulrich Rahe about the OPUS 88 | Wall Audio Tube Technology<\/title>\n<meta name=\"description\" content=\"Hans-Ulrich Rahe about the OPUS 88. Lieber Andreas, mit dem OPUS 88 hast Du Dein Meisterwerk vollbracht! 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